the oldenberg work is in relation to the earlier soft sculpture work - i dont think i had seen the saw before, although im now comparing that image to how i have the fabric saw appearing on my website, even using very similar colouring
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there's a lot of ideas around space, both gallery and domestic present in all of these - matta-clark's anti-architecture is making me think about how i'm trying to skew what you seen in the home - i guess it makes me think as well what else i could do with the model i have made of my flat - how the whole space can be manipulated as well as just a obscuring or anonymisation of household objects
well i say obscuring - but not everything is related to some kind of real object
if anything most things are entirely removed - they're just coming from manipulations of basic polygons
its more a matter of projection by the viewer that's assigning any value or meaning to them
i think at this point to me they are becoming this strange collection of vertices, and being viewed in a means that are entirely removed from how someone will see them
and with that being said i need to get more images of the way i am seeing them and manipulating them
(Michael Asher - Kunsthalle Bern, 1992)
(Gordon Matta-Clark, Office Baroque, 1977)
(Gordon Matta-Clark, Splitting, 1974)
(Michael Asher, Santa Monica Museum of Art, 2008)
(Claes Oldenberg, Saw, Sawing, 1998)
(Claes Oldenberg, Soft Toilet, 1966)
(Rachel Whiteread, House, 1993-94)
(Senga Nengudi, Nuki Nuki: Across 188th St., 1982)
(Rachel Whiteread, Untitled (Stairs), 2001)
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